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2024-04-14 01:03:02

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Women in Cinema

Are you interested in the cinema? Well, it is a very interesting subject that you have chosen. We provide the best FILM-GEND 2336 Women in Cinema assignment help to guide you to complete your assignment within the deadline. Now you need to know about the role of women in cinema -

Here students have to examine the representations of women in alternative and mainstream movies and also the contribution of women who always stay behind the camera.

This course contains such topics like the

  • theories of identification and spectatorship,
  • intersectionality of feminist analysis
  • the gendered gaze.

This subject has a huge course section. The range may vary from classic Hollywood cinemas to the role of females in 1980s video art.

Women are also active in international films and contemporary national films. Students will also have an idea about the credits in the fine arts, visual studies stream, and art history.

Our experts have excellent knowledge in this field. So, any time you can get our FILM-GEND 2336 Women in Cinema assignment help.

What is the Role of Women in Cinemas?

The cinematic industry is the nation's most Famous entertaining source. It has spent decades entertaining people from its inception in the 1930s. Women in cinemas have made a great contribution from the old times.

There are so many job opportunities for women in cinemas like -

  • actress
  • cinematographer
  • film critics
  • film producers
  • film directors
  • film industry professions

There are many legends who have great importance in the cinema industry. Students will be able to learn about them in detail.

Identify Characteristics of the Woman in Indian Cinemas

Generally, all male-centric films are shot in outdoor scenes, and many female-oriented films are performed in the domestic and indoor spheres. It defines the roles and the lives of women protagonists. Here all the events in female movies, from births to weddings, are all socially elaborated by society, and the nature and the action in male-oriented movies, like participating in any fight chasing criminals, is the story-driven part.

Such themes in male-oriented movies are diametrically opposite compared to the woman. Such as separation from their family, emotional emphasis, and attachment to a human in the woman's films, and these all are opposite to fear of intimacy, suppressing individuality, and repressing emotional bonding in movies that are male-oriented.

Here the main plot elaborates that female movies can revolve around many types of basic themes like motherhood, love triangles, extramarital affairs, power rising, and the relationship of mother and daughter.

The narrative pattern is determined by the actions taken by the heroine & typically consists of sacrifice, aggravation, choice, & competition. However, this can vary from story to story. The most common subgenres include the businesswoman comedy, the maternal melodrama, as well as the paranoid female movie, which is a subgenre centered on mistrust and suspicion.

In the 1940s, several elements of women's movies in Hollywood were mainly based on the elements of depression, female madness, hysteria, amnesia etc., and such trends went well when Hollywood tried to mix up the aspects of psychotherapy and psychoanalysis.

There are so many women-centric movies that have medical discourse like -

  • Possessed (1947)
  • Voyager (1942)
  • Johnny Belinda (1948)

In these movies, women have taken a considerable brave part that has influenced the viewers. Her mental health got represented by the mental illness and beauty through their kept appearance. And the restored health of all the female protagonists improves their appearance on the screen.

Status of Women in the Industry

With the incremental and steady improvement of the percentage of working women who checked the reviews from 2015 to 2021, the percentage has fallen from 34% in 2021 to 23% in 2023, as per the new report by Martha Lausen. He is the executive director, PHD, and founder as well as the Centre of the woman study and development in film and television at the State University of San Diego. In the prior months, from January to March, all the male reviewers outnumbered the woman with more than 21. They comprised 70% and the woman 30%, and non-binary individuals were 0.5% of the reviewers.

FILM-GEND 2336 Women in Cinema

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FILM-GEND 2336 Women in Cinema Sample

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  • Basinger, Jeanine. Jezebel. Audio commentary, 2006 DVD reissue.
  • Doane 1987, pp. 152–53.
  • Heung, Marina (1990). Howard, Angela; Kevenik, Frances M. (eds.).
  • Handbook of American Women's History. New York: Garland. ISBN 978-0-8240-8744-9.
  • a b Basinger 2010, p. 163.
  • Ashby 2010, p. 153.
  • Altman 1998, p. 29.
  • Doane cited in Altman 1998, pp. 28–29.
  • Simmon 1993, p. 68.
  • Altman 1998, p. 28.
  • a b Modleski, Tania (1984). "Time and Desire in the Woman's Film". Cinema Journal 23 (3): 19–30.
  • Neale, Stephen (1993). "Melo Talk: On the Meaning and Use of the Term 'Melodrama' in the American Trade Press".
  • The Velvet Light Trap 32 (3): 66–89.
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